Wednesday, September 14, 2011

Teaching Literacy + Post Modern Picture Books in a Multicultural World

Response to:
Teaching Literacy Through the Visual Arts in a Multicultural World by Smilan & Towell
The Role of Post Modern Picture Books by Hellman

The two articles gave me a greater appreciation for picture books. I always assumed children enjoyed picture books for the aesthetic quality and fun stories to match the text but I never realized how eminent they are during a child’s development. While I began reading about Post Modern picture books in “The Role of Post Modern Picture Books” I thought they had a negative connotation. These books cause the reader’s attention to move from place to place, from text to picture and back, in a fluid way (Mackey and McClay, 2000). This immediately reminded me of attention deficit disorder. I also learned that a characteristic of a post modern picture book has “info on the side bar, like computers”. I would definitely find this distracting. This might incline a student to focus less on what is going on in the actual story and have scattered thoughts floating away from the book. However, I was very intrigued by the picture book titled “Black and White”. Reading about the book made me actually want to read the book in its entirety.  I can see myself enjoying a book in this style at a young age. At the same time, it also encourages a student to switch focuses and change thought directions immediately. I think this can be both positive and negative.
“Teaching Literacy Through the Visual World in a Multicultural World” by Towell and Smilan was very eye opening for me. This article puts a lot of valid points into perspective. I had always thought of literacy as reading and writing, yet seeing, listening, speaking, interpreting, and revising are also integral components of this tasks. I loved the lesson plan idea where the participants were asked to transport themselves into the painting and to conduct their own “viewer response” (Gilbert, 2003). This allows the participants to truly use their imagination and look at the painting from a completely different perspective. This is a lesson I know I would have enjoyed if it was presented to me in a classroom, or any type of setting. Students enter classrooms with a wide array of experiences, cultures, and traditions. I learned how important it is to honor multicultural heritages of the country by studying indigenous literature and art.  Teachers must be aware that culture is as “fluid and ever-changing” as the students who enter the classrooms (Jacks, 2006).

Wednesday, September 7, 2011

Your Place or Mine

I thoroughly enjoyed reading the excerpt "Reading Art, Place, and Culture in Multicultural Picture Books" by Mira Reisberg, Birgitte Brander, & David A. Gruenewald. The reading gave me a more clear understanding of how important multicultural picture books play in a child's development. It is essential for teachers to not only "measure up to a scripted standard", but to guide their students through stories which can act as a catalyst for change or for reclaiming traditions at the personal, community, or cultural level.

I enjoy that the characters portrayed in Where the Fireflies Dance were down to earth, humble, realistic individuals. "There are no evil villains, no big lessons you have to learn, and the characters are all believable and real" is what makes this books message so powerful and at the same time attainable.

"Learning from the local provides students with the opportunity to create long-term connections with the respect for the places where they live." Encouraging a student to analyze relationships between society, power, and community will aid them in their own student empowerment and personal transformation.

Wednesday, August 31, 2011

Artist Statement

As an artist, I feel as though my work technique is in a constant state of metamorphosis. I believe this is due to my thirst to create, explore, and express myself through every medium available to me. 

I create art to represent a thought, but most importantly to gain a greater connection to myself. The beauty of nature has been my greatest inspiration, up until the past few years.  In 2008 I started working at a haunted house in the Bayville Scream Park located in Long Island, New York. I was fascinated by the special effects props, artistic make-up, imaginative set designs, and creative energy that consumed the house. 

People who view my work see my life, my memories, and my feelings. My art has developed through life experiences, challenges, and an endless curiosity for exploration.



Thursday, August 25, 2011

Artist of choice: Alex Pardee


Alex Pardee is a freelance artist, apparel designer, and a writer born in California. He runs the website EyeSuck Ink which includes links to his blog and store. Through his art he has admitted to overcoming depression and anxiety disorders along with emotional struggles. He uses pens, ink, watercolors, dye, and is trying to use more acrylics, oils, and latex. Pardee's self-proclaimed influences include 1980s horror movies, pop art, graffiti and gangster rap.